First of all, before I begin the main subject of this post… I’m baaaaa-cckkkkk!!! (Sorry, but it’s hard to forget that movie line, no matter how long ago you may have heard it.) Nevertheless, it’s suitable for the announcement of my new blog here on WordPress, which will continue everything from the old one. I own the domain on this one, so consider it the new and improved version of The Norse King blog, which you can access to read my prior posts on my Links section, or here. I will be re-posting some of the stuff from there with a few twists and updates, so stay tuned for that.
Now, onto business, which is the promotion of the latest anthology to contain a short story of mine. That would be WE WALK INVISIBLE: A SHORT STORY ANTHOLOGY, which was produced as a commemoration of the 70th anniversary of Universal’s release of The Invisible Man, the first and arguably best celluloid adaptation of H.G. Wells’ classic horror novel. I’m proud to be among the roster of authors who contributed to this book, published by Chupa Cabra House. So proud, in fact, that I’m actually inclined to forgive owner and editor-in-chief Timm Tayshun for spelling my name wrong, both in the table of contests and with my story byline! (Yup, I’m actually that proud of being part of this.)
My particular story in this collection, “Madness is An Unseen Variable,” introduces the latest member of the infamous Griffin family to formulate a version of the invisibility serum, Maximilian “Max” Griffin. He administers his improved version of the serum to himself with the best of intentions: To use his reversible power of invisibility to become a crime-fighter in the grimy modern day urban locale in which he makes his home. Well, we all know how good intentions often turn out, right? Max finds out too, especially after he discovers–too late, mind you–that the side effect of escalating insanity which plagued the other recipients of this serum was not eliminated from the improved formulae.
Why did the novel from Wells, and the film series produced by Universal, and the subsequent TV series from both the 1970s (short-lived as it was) and 2000s, resonate so much with readers/viewers? Because like all successful horror and sci-fi tropes, it appeals to a potent fantasy in the collective human psyche to be able to move about undetected, to go wherever one pleases whenever one pleases, and to commit acts of mischief and personal gratification without anyone knowing it’s you. This thrill works side-by-side with two separate forms of deep-seated fears that the human subconscious is afflicted with: 1) Being watched and/or victimized by someone whom you cannot see, and who can violate your sense of privacy and security with impunity; and, 2) Becoming trapped in a state of perpetual invisibility, a theme played up in both Wells’ original novel and the Universal film adapted from it, which can be viewed as an elaborate metaphor for our fears of being ignored and our lives unnoticed by our peers and world itself, not to mention the emotional instability that can arise from this… a theme focused upon quite well in classic episode of Buffy the Vampire Slayer.
So like all good horror tropes and themes, the invisibility motif plays on multiple power fantasies and deep-seated fears simultaneously. This is what made both the novel and the film big hits with readers/viewers, and why this theme has been repeated over and over again the annals of horror and/or adventure fiction, including more recent films like Memoirs of An Invisible Man and Hollow Man, even though those two quite different movies focused upon different aspects of the same theme: The power fantasy and fear-inducing aspects, respectively.
This anthology brings the trope into the literary medium, and allows several authors (including moi) to bring you their unique interpretations of this enduring theme. See if you can resist the hidden urge to buy this one! (Actually, don’t try to resist the urge, but yanno what I mean…) You can buy it here.