My newest and second novel in the kaiju genre has just been published by Severed Press, and it provides a further step in building what I call the Dragonstorm Universe, a shared kaiju/sentai/jaeger universe that will appear across many novels and short stories published by moi. The first story taking place in that universe was chronicled in my previous kaiju novel Dargolla: A Kaiju Nightmare, and in a short story “The Criminal and the Kaiju” published among the tales of many fine kaiju authors contained in Matt Dennion’s Attack of the Kaiju: Age of Monsters anthology.
For those not entirely in the know (or not in the know at all), a kaiju is a shortened version of the word daikaiju, which is used by genre fans to describe strange monsters of immense size and power. Think Godzilla, Gamera, King Kong, etc. A sentai is a Japanese word for super-heroes who battle monsters, especially those who can attain gigantic size to directly tussle with daikaiju. Think Ultraman, Dark Horse’s Hero Zero, etc. A jaeger is a German-derived term used to describe gigantic robots designed to combat kaiju. Think the Shogun Warriors, the Power Rangers’ Zords, Gipsy Danger and her mecha allies in the Pacific Rim franchise, etc.
Kaiju prose has been booming in recent years, thanks largely to authors such as Eric S. Brown, Matt Dennion, Zach Cole, John W. Dennehy, C.G. Mosely, and James Melzer. The popularity of kaiju in this long-uncharted medium was largely pioneered during the 1990s by the august personages of Marc Cerasini’s and Scott Ciencen’s separate series of Godzilla novels published by Random House, and short stories regularly contributed to G-Fan magazine by scribes such as Skip Peel and Neil Reibe. These paved the way for the kaiju genre to explode across the prose medium in the succeeding decades, and among their number happens to be this author.
So what is Megadrak: Beast of the Apocalypse all about, and how may it differ from my previous entry in the genre and Dragonstorm Universe, Dargolla: A Kaiju Nightmare?
For starters, it’s considerably longer than the latter novel, which was more akin to a novella in length. Megadrak, however, will be a reading size more apropos for a tale describing the havoc wreaked by a deadly monstrosity of skyscraper proportions.
Secondly, Megadrak will be a period novel set in 1954 Japan, exploring my idea of what may have been done with the genre by Toho during that era with an alternate take on the same concept. Accordingly, this book is a complete homage to Tokyo’s iconic Godzilla (1954) that made cinematic history, which had and continues to provide this author with immense creative inspiration. It is intended to duplicate the deadly serious tone and anti-nuclear commentary of the first two G-films, while covering some additional territory that Toho didn’t, but which I think should be covered in retrospect. Like Godzilla in the Tohoverse, Megadrak will represent the first assault on an unsuspecting humanity by a daikaiju in the Dragonstorm Universe, and how the nation is affected.
For those interested in seeing how the nightmare began in the Dragonstorm Universe, and how the Earth in that reality found itself changed forever, then this is the book you do not want to miss.
Megadrak is every bit as large as Godzilla, and every bit as nasty a customer as Dargolla was in his eponymous novel. Death and destruction will outpace what was seen in the previous tome (just when you thought that wasn’t possible!). And this time around, rather than focusing on a single protagonist and his family’s desperate, tragedy-filled attempt to escape their home city after it comes under siege by the titular kaiju, I have the space to focus upon several individuals who become embroiled in the horrific series of events that unfold when the kaiju apocalypse begins. These individuals end up crossing paths along the way, and find themselves forced to work together for mutual survival, with a combination of impressive successes and tragic failures.
Also, there will be giant mutant bloodworms. Yes, you read that correctly. The hapless citizens of Tokyo and the islands surrounding the Land of the Rising Sun will have much more than just Megadrak to contend with, as the atomic forces that spawned the kaiju will be discovered to have spawned a diverse array of dangerous mutant fauna that are not averse to using humans as a food source. You can also look forward to the first kaiju battle on this world’s timeline, as Megadrak ultimately discovers that humanity isn’t the only rival for world hegemony that the great beast must eliminate to stand at the top of the proverbial mountain.
This book was a lot of work, and required extensive research into the politics, economy, pop culture, and honorific-filled lingo of Japan as of the early 1950s, when that nation was still feeling the effects of the post-war era. The hard work was worth it in the end, though, as it was a lot of fun to write, and I am very thankful that the good people at Severed Press, likely the foremost publisher of kaiju prose in the Western world, gave me yet another opportunity to fulfill a life-long dream under their banner.
Is the culmination of my dream worth its weight in readership gold? That, of course, will be up to you, my esteemed readers, to decide. Megadrak: Beast of the Apocalypse is now on sale at Amazon in both digital and paperback versions, and I look forward to providing my share of kaiju mayhem to each of you. So by all means, buy the book, enjoy (I hope!), and I welcome and encourage reviews!
My third novel for Severed Press is now in the works, so more on that soon! The Dragonstorm Universe is expanding just as the genre as a whole continues to do, and not only in prose, but also in the cinematic, comic book, and video game mediums. This is the best time to be a kaiju-fan since the genre’s previous heyday during the 1950s and 1960s, and I’m proud to be part of the devastation being wrought!